Within the tradition of Orientalist paintings, the imagined harem was often represented in two modes: the domestic and the erotic.
Read moreDisoriented in the Harem: Part III
Similar to Orientalist writings, the limited access to the harem space caused its represented version in painting to be equally dissimilar to its real existence.
Read moreGender in Titian's Poesia
With the cultural framework of sixteenth-century Italy, the dichotomy between female and male pervaded all aspects of society even in Renaissance paintings.
Read moreShadow: Rodin and the Modern Psyche
With academic theory towards sculpture stiflling the creative process, Rodin found new ways to depict the pathos of the modern psyche.
Read moreThe Romantic Alternative: A French Challenge to Neoclassical Style
Both glory and suffering caused French artists like Eugene Delacroix to question the established discipline of classicism in the Academy.
Read moreMild Applause: Caravaggio's Rejected Altarpieces
While 21st century viewers may collectively applaud Caravaggio’s innovative interpretation of religious scenes, Caravaggio’s own 17th century audience was clearly less unanimous.
Read moreThe Virtu of Isabella d’Este
As wife to the Duke of Gonzaga, Isabella used her rank and gender in order to participate in the male dominated activity of patronage.
Read more